Anthology of Modern Indian Poetry

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By Listen TheBook Posted on Jul 28, 2025
In Category - Anthologies
Gwendoline Goodwin 1927
English
  • Preface
  • An Invocation
  • The Secrets of the Self
  • Worship
  • Beyond the Verge of Time—Steps
  • Ego—Fire
  • The Artist
  • Imagery
  • Transience—O Long Black Hair—Revelation
  • “Spring that in my courtyard”—“This day will pass”
  • Urvasi
  • Open Thou Thy Door of Mercy
  • The Dancer
  • Acknowledgment
  • Remembrance—The Visible
  • In the Light
  • Call and Bring Her
  • Basanta Panchami
  • A Woman’s Beauty
  • An Evening on the Lagoon—At the Temple
  • Raksha Bandhan
  • Longings—Thoughts
  • The Lovers
  • A Blue Dream
  • Tulip
  • Return to Khairpur—India: Entertaining Twilight
  • Roshanara
  • In Praise of Henna
  • Imperial Delhi
  • Dirge
  • Spring—Cradle-song
  • June Sunset
  • Bunkim Chandra Chatterji
  • A Rose of Women—The Island Grave
  • Invitation
  • A Child’s Imagination
  • Evening—The Sea at Night—Lachhi
  • Azmē
  • Awake, my Friend
  • Marriage Song
  • Mystic Love Song from “Thirty Indian Songs"
  • The Punjab Autumn: The Season of the Cooling Dew
  • Râjhans (The Prince of Swans)
  • Later Lyrics: Poplar, Beech, and Weeping Willow
  • Orphic Mysteries: The Yellow Butterfly
  • Myvanwy
  • Kismet
  • Tansen
  • “The high ambition of the drop of rain”
  • “How difficult is the thorny way of strife”
  • “Thy beauty flashes like a sword”
  • “I shall not try to flee the sword of death”
  • Voice in the Air
  • “All this is rhythm”
  • “Friend, dwell thou within”—“Thou art the rose”
  • “Snow-blossoms, snow-blossoms”
  • “The rose of eternity”
  • “The blue of Indra”
  • “The shadow of a flying bird”
  • Love’s Samādhi—A Cradle Song
  • The Way of Poverty
  • The Last Prayer—Union with Christ
  • Peace
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. "The call of Youth in India is a hot young call, trumpeting down the ages through a maze of polytheistic tribute, and emerging in the twentieth century with some of its original clearness of sound drowned by a Gargantuan thunder of Western drums. The Indian poet of to-day is torn, like the Indian painter, between admiration for Western models and a desire to mould himself thereon, and an inherent Indian tradition that runs in his veins and will not be denied." - Summary by LynneT and from the Preface.

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