Pastiche and Prejudice

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Arthur Bingham Walkley 1921
English
  • Pastiche
  • An Aristotelian Fragment
  • Mr. Shakespeare Disorderly
  • Sir Roger at the Russian Ballet
  • Partridge at 'Julius Caesar'
  • Dr. Johnson at the Stadium
  • My Uncle Toby Puzzled
  • Lady Catherine and Mr. Collins
  • Mr. Pickwick at the Play
  • Mr. Crichton and Mr. Littimer
  • Henry James Repudiates 'The Reprobate'
  • M. Bergeret on Film Censoring
  • The Chocolate Drama
  • Grock
  • The Function of Criticism
  • Coterie Criticism
  • Criticism and Creation
  • Acting and Criticism
  • Acting as Art
  • Audiences
  • First Nights
  • Plays within Plays
  • Plays of Talk
  • 'The Beggar's Opera'
  • Grand Guignolism
  • A Theatrical Forecast
  • A Theory of Brunetière
  • Disraeli and the Play
  • Henry James and the Theatre
  • Theatrical Amorism
  • H.B. Irving
  • The Puppets
  • Vicissitudes of Classics
  • Perverted Reputations
  • The Secret of Greek Art
  • A Point of Croce's
  • William Hazlitt
  • Talk at the Martello Tower
  • Again at the Martello Tower
  • The Silent Stage
  • The Movies
  • Time and the Film
  • Futurist Dancing
  • Hroswitha
  • Pagello
  • Stendhal
  • Jules Lemaître
  • Jane Austen
  • T.W. Robertson
  • Versatility
  • Women's Journals
  • Practical Literature
  • Nineteenth-Century Woman
  • Pickles and Picards
  • The Business Man
Arthur Bingham Walkley was an exceedingly popular critic, working as a drama critic at The Times alone for no less than 26 years, and writing for several other newspapers and privately besides that. This book of pastiches was completed after he already had more than two decades of work as a theatre critic under his belt, and it draws some brilliant characterisations. Among the literary and historical figures found in the different pastiches are such illustrious figures as Aristotle and Shakespeare, but also more modern phenomena as movies are discussed, along with politicians and other famous persons of the time. - Summary by Carolin

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