- Renascence
- God’s World
- Afternoon on a Hill
- Journey
- Sorrow
- Tavern
- Ashes of Life
- The Little Ghost
- Kin to Sorrow
- Three Songs of Shattering
- The Shroud
- The Dream
- Indifference
- Witch-wife
- Blight
- When the Year Grows Old
- Sonnets I-VI
- Section Two, Poems I and II
- Recuerdo
- Thursday
- To the Not Impossible Him
- The Singing-Woman from the Wood’s Edge
- Humoresque
- She is Overheard Singing
- The Unexplorer
- Grown-up
- The Penitent
- Daphne
- Portrait by a Neighbour
- The Merry Maid
- To S. M.
- The Philosopher
- Four Sonnets
- Section Three: Spring
- City Trees
- The Blue-Flag in the Bog
- Eel-Grass
- Elegy before Death
- The Bean-Stalk
- Weeds
- Passer Mortuus Est
- Pastoral
- Assault
- Travel
- Low-Tide
- Song of a Second April
- The Poet and His Book
- Alms
- Inland
- To a Poet that Died Young
- Wraith
- Ebb
- Elaine
- Burial
- Mariposa
- Doubt no more that Oberon
- Lament
- Exiled
- The Death of Autumn
- Ode to Silence
- Memorial to D. C.
- Sonnets I-VI
- Sonnets VII-XII
- Wild Swans
This volume of poems was published in 1923, the year Edna St. Vincent Millay became the third woman to win the Pulitzer Prize for poetry. It was perhaps the lead poem in this volume, Renascence, published in 1918 in a literary contest that first won her widespread recognition. Her works also included drama and prose, and in 1943 became the second woman to win the Robert Frost Prize for poetry. This volume is divided into three sections of lyric poems, including sonnets, a poetic form of which she was a master. - Summary by Larry Wilson
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