- Foreword
- What About my Songs
- Where is the Poet
- The Desert of ' No More '
- Seas of Loneliness
- The Garden of Truth
- Like a Paper Lantern
- I Hail Myself as I Do Homer -
- The Night Reverie in the Forest
- Song of Day in Yosemite Valley
- Song of Night in Yosemite Valley
- Apparition
- O Cho San
- Address to a Soyokaze
- Under the Moon
- O Hana San
- The Myoto
- The Goddess : God
- By the Sea
- Homekotoba
- Upon the Heights
- The Poet
- The Face in the Mirror
- How Near to Fairyland
- Lines
- Spring
- Prose Poems
- The New Art
- By the Enagakuji Temple : Moon Night
- To a Nightingale
- I am Like a Leaf
- To the Sunflower
- Shadow
- The Fantastic Snow-flakes
- Ghost of Abyss
- Autumn Song
- Fantasia
- The Temple Bell
- To the Cicada
- The Lady of Utamaro's Art
- The Buddha Priest in Meditation
- In the Inland Sea
- Kyoto
- My Little Bird
- Her Weapons are a Smile and a Little Fan
- My Heart
- The Lotus Worshippers
- Lines
- The Eastern Sea
- To a Sparrow
- Right and Left
- In Japan Beyond
- Cradle Songs
- Japanese Hokkus
"Yone Noguchi was an influential Japanese writer of poetry, fiction, essays, and literary criticism in both English and Japanese. Critical evaluations of Noguchi, while varying drastically, have frequently stressed the enigmatic character of his work. Arthur Symons referred to him as a "scarcely to be apprehended personality." Arthur Ransome called him "a poet whose poems are so separate that a hundred of them do not suffice for his expression." Ezra Pound, on first reading The Pilgrimage in 1911 wrote that "His poems seem to be rather beautiful. I don't quite know what to think about them." Nishiwaki Junzaburō wrote, "Most of his earlier poems have always seemed to me so terrific, so bewildering, as to startle me out of reason or system." - Summary by Wikipedia
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