Botanic Garden, a Poem in Two Parts. Part 1

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Erasmus Darwin 1791
English
  • Advertisement and Apology
  • To the Author of the Poem On the Loves of the Plants
  • Canto I, lines 1-188
  • Canto I, lines 189-278
  • Canto I, lines 279-412
  • Canto I, lines 413-600
  • Canto II, lines 1-124
  • Canto II, lines 125-276
  • Canto II, lines 277-498
  • Canto II, lines 499-610
  • Canto III, lines 1-128
  • Canto III, lines 129-320
  • Canto III, lines 321-528
  • Canto III, lines 529-590
  • Canto IV, lines 1-164
  • Canto IV, lines 165-358
  • Canto IV, lines 359-484
  • Canto IV, lines 485-640
  • Note I.—Meteors.
  • Note II.—Primary Colours.
  • Note III.—Coloured Clouds.
  • Note IV.—Comets.
  • Note V.—Sun's Rays.
  • Note VI.—Central Fires.
  • Note VII.—Elementary Heat.
  • Note VIII.—Memnon's Lyre.
  • Note IX.—Luminous Insects.
  • Note X.—Phosphorus.
  • Note XI.—Steam-Engine.
  • Note XII.—Frost.
  • Note XIII.—Electricity.
  • Note XIV.—Buds and Bulbs.
  • Note XV.—Solar Volcanos.
  • Note XVI.—Calcareous Earth.
  • Note XVII.—Morasses.
  • Note XVIII.—Iron.
  • Note XIX.—Flint.
  • Note XX.—Clay.
  • Note XXI.—Enamels.
  • Note XXII.—Portland Vase.
  • Note XXIII.—Coal.
  • Note XXIV.—Granite.
  • Note XXV.—Evaporation.
  • Note XXVI.—Springs.
  • Note XXVII.—Shell Fish.
  • Note XXVIII.—Sturgeon.
  • Note XXIX.—Oil on Water.
  • Note XXX.—Ship-Worm.
  • Note XXXI.—Maelstrom.
  • Note XXXII.—Glaciers.
  • Note XXXIII.—Winds.
  • Note XXXIII.—Winds. (continued)
  • Note XXXIV.—Vegetable Perspiration.
  • Note XXXV.—Vegetable Placentation.
  • Note XXXVI—Vegetable Circulation.
  • Note XXXVII—Vegetable Respiration.
  • Note XXXVIII.—Vegetable Impregnation.
  • Note XXXIX.—Vegetable Glandulation.
Charles Darwin’s grandfather Erasmus was also a famous naturalist in his own day, in addition to being a celebrated poet. This is the first part of his popular science poem in heroic couplets intended to introduce botany to the English public. It serves as a general defense of scientific progress as a practical and artistic endeavor, laying the groundwork for its sequel poem on Linnaeus’ system of sexual selection in plants, Loves of the Plants. - Summary by Matthew Muñoz

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