- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36 Part 1
- Chapter 36 Part 2
- Chapter 37
This is one of the Victorian “Sensationist” Mary Elizabeth Braddon's many novels (best known among them: “Lady Audley’s Secret”). It is extremely well written, fluid, humorous and, in places, self-mocking: one of the main characters is a Sensation Author. The motifs of the-woman-with-a-secret, adultery, and death are classic “sensationist” material. Yet this is also a self-consciously serious work of literature, taking on various social themes of the day. Specifically, Braddon presents the psychological struggle and cognitive dissonance which are the inevitable plight of the married middle-class woman with a strong sense of self, who is essentially constrained to live the life of her husband. In this, it echoes Flaubert’s “Madame Bovary.”
The heroine, Isabel Sleaford, was driven early in her childhood to bury herself in, and develop her sense of self through, romantic novels and poetry. She is thus ill-adapted to the conventional, provincial structures and strictures laid upon her when she marries the very good and adoring, but also boring and unimaginative, Dr. George Gilbert. Isabel forms friendships with men (including her husband's best friend) who are more amenable to her romantic inclinations, and inevitably encounters social condemnation as a result. The book shows how life’s tragedies and the world’s cruel judgments shape Isabel, as she grows more mature, somewhat embittered, but also – true to her nature – beautifully resilient. (Summary by Kirsten Wever)
The heroine, Isabel Sleaford, was driven early in her childhood to bury herself in, and develop her sense of self through, romantic novels and poetry. She is thus ill-adapted to the conventional, provincial structures and strictures laid upon her when she marries the very good and adoring, but also boring and unimaginative, Dr. George Gilbert. Isabel forms friendships with men (including her husband's best friend) who are more amenable to her romantic inclinations, and inevitably encounters social condemnation as a result. The book shows how life’s tragedies and the world’s cruel judgments shape Isabel, as she grows more mature, somewhat embittered, but also – true to her nature – beautifully resilient. (Summary by Kirsten Wever)
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